Film Stories issue 32 print edition (April 2022)
Film Stories issue 32 print edition (April 2022)
Inside:
PETER CAPALDI
In an exclusive interview, Peter Capaldi chats to us about working with Terence Davies on the incoming Benediction. Plus, his screenwriting and directing work – Soft Top Hard Shoulder and Strictly Sinatra – plus the impact of winning his Oscar. Oh, and a bit on what he’s up to next…
The co-star of Ali & Ava in a big exclusive chat, that touches on his anxieties of filming, wine with writer/director Clio Barnard, and his utterly leftfield performance in Save The Cinema too.
DIGITAL FILMMAKING
20 years ago, Star Wars Episode II: Attack Of The Clones was the first huge blockbuster to be shot entirely on digital cameras rather than 35mm. Two decades on, what’s been the impact of shooting on digital?
JIM CARTER
As well as telling us about playing Carson in Downton Abbey: A New Era, Jim Carter chats about how he talked his way into 1980’s Flash Gordon, and reflects on the mighty Top Secret! and Brassed Off too.
SEE THE MOVIE, BUY THE TOY
Those moments when movie tie-in toys went very, very, very, very wrong.
CONFESSIONS OF A REFORMED CLICKBAITER
One writer tells us their story working for a website where, well, things did not seem to be particularly pleasant behind the scenes.
Plus!
- Tom Goodman-Hill on making Homeland, and the documentary he’s been making.
- Cathy Wippell tells Laura Jean Marsh, film director to film director, about her latest short film.
- Kate Dolan on her directorial debut, and the battle to get it made
- Into Film’s young reporter scheme has come to an end – but what impact as it had?
- Who decides who goes where on a movie poster?
- James Moran’s writing clinic
- 10 of the finest sounding films
- The overuse of flashbacks in the movies
- Puzzles!
- Lots of reviews!
- Lots of interviews
- Lots of odd films we think you should watch!
- And an odd bit of movie merchandise…
Plus! Amongst the 20+ paid writers in this issue, three are getting their first ever paid print writing work.
We can only do this with your support, and thank you so much.